lundi 14 février 2022

Critiques d'OCCHIALI NERI/DARK GLASSES au festival de Berlin édition 2022


OCCHIALI NERI a reçu un accueil critique globalement favorable au festival international du film de Berlin. 

Si les illogismes, incohérences scénaristiques (récurrents dans le cinéma de Dario Argento) sont regrettés par certains spectateurs, les principales qualités du film semblent être son premier quart d'heure sous influence d'Antonioni et du giallo, ses scènes intimistes, son rythme et sa musique signée par Arnaud Rebotini. 


 Quelques avis sur OCCHIALI NERI publiés en France, Italie, Amérique, Angleterre, Allemagne et Espagne: 

https://www.troiscouleurs.fr/article/critique-occhiali-neri-dario-argento

http://www.lepolyester.com/critique-dark-glasses

http://culturaddict.com/occhiali-neri-un-retour-enfin-reussi-pour-dario-argento-note-4-5/


https://www.jamovie.it/occhiali-neri-quando-argento-torno-a-brillare-la-recensione/

https://metalskunk.com/2022/03/08/la-finestra-sul-porcile-occhiali-neri-il-miglior-film-di-dario-argento-dellultimo-ventennio/

https://re-movies.com/2022/03/12/occhiali-neri-2022-di-dario-argento/

https://www.sentieriselvaggi.it/occhiali-neri-di-dario-argento/

https://duels.it/sogni-elettrici/per-un-giallo-ribaltato-occhiali-neri-di-dario-argento/

https://quinlan.it/2022/02/11/occhiali-neri/

https://www.asburymovies.it/2022/02/12/occhiali-neri/

https://www.cinema4stelle.it/occhiali-neri-recensione/

https://cinema.everyeye.it/articoli/recensione-occhiali-neri-ritorno-dario-argento-10-anni-vuoto-56529.html

https://berlinomagazine.com/2022-occhiali-neri-alla-berlinale-il-sanguinolento-ritorno-di-dario-argento-che-non-e-per-niente-male/

https://www.cinematografo.it/cinedatabase/film/occhiali-neri/66166/

https://www.wired.it/article/occhiali-neri-dario-argento-recensione/

https://lipercubo.it/occhiali-neri.html

https://cinemando.blog/2022/03/01/occhiali-neri-recensione/

https://movieplayer.it/articoli/occhiali-neri-recensione_26477/

https://www.cinefiliaritrovata.it/occhiali-neri-e-le-tenebre-retro-di-dario-argento/

https://techprincess.it/occhiali-neri-recensione/

https://www.labalenabianca.com/2022/02/16/occhiali-neri-di-dario-argento-e-un-film-ingiudicabile/

https://close-up.info/7050-2/

https://www.esquire.com/it/cultura/film/a39062163/occhiali-neri-dario-argento-ci-racconta-il-suo-nuovo-ottimo-film-a-berlino/

https://www.quartopotere.com/recensioni-film/al-cinema/occhiali-neri

https://www.ondacinema.it/film/recensione/occhiali-neri.html



https://letterboxd.com/film/dark-glasses/reviews/

https://we-love-cinema.com/reviews/dark-glasses/

https://theplaylist.net/dark-glasses-review-berlin-20220217/

https://www.hollywoodreporter.com/movies/movie-reviews/dark-glasses-occhiali-neri-review-berlin-2022-1235090583/

https://variety.com/2022/film/reviews/dark-glasses-review-occhiali-neri-dario-argento-1235179227/*

https://www.indiewire.com/2022/02/dark-glasses-review-dario-argento-1234698860/

https://thefilmstage.com/berlin-review-dario-argento-returns-with-bizarre-bloody-dark-glasses/

https://www.theupcoming.co.uk/2022/02/11/berlin-film-festival-2022-occhiali-neri-dark-glasses-review/


https://schatten-lichter.blogspot.com/2022/03/occhiali-neri-2022.html

https://www.italo-cinema.de/item/dark-glasses

https://j-mag.ch/berlinale-2022-berlinale-special-occhiali-neri-dark-glasses-die-ruckkehr-des-giallos/

https://cinemaforever.net/kritik-dark-glasses-it-fr-2022-dario-argentos-rueckkehr/

https://www.filmstarts.de/kritiken/280826/kritik.html

https://www.uncut.at/movies/kritik.php?movie_id=16217

https://www.weirdmagazin.de/occhiali-neri-dario-argento/?fbclid=IwAR1z5HXf8LThF2E91zYx8oMP_UvGIyXKB1G9XVZbvZLQO3CFdK_ubFH3n8s

https://www.intellectures.de/2022/02/12/blinde-wut/

https://www.nischenkino.de/dark-glasses-occhiali-neri-berlinale-special/

https://www.elantepenultimomohicano.com/2022/03/critica-dark-glasses-de-dario-argento.html




                                            




OCCHIALI NERI sortira au cinéma en Italie le 24 Février 2022, distribué par Vision Distribution. 


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